Why Does Charles Halloway What to Be Young Again

Age, Time, and Acceptance Theme Icon

Protagonist Will Halloway and his best friend, Jim Nightshade, are both one calendar week shy of their fourteenth birthdays, and while they may exist on the cusp of manhood, they are non quite adults. Both relish typical children's things, like books about dinosaurs and traveling carnivals, but Jim yearns for the liberty to live outside the restraints of childhood. When Cooger and Dark's Pandemonium Shadow Prove comes to town with its mysterious carousel, it is the answer to Jim's problems of juvenile angst. Mr. Cooger, the proprietor of the carnival, steps onto the carousel a middle-aged human being, and after riding the magical contraption backward, steps off a twelve-year-old boy. If Jim rides the carousel in the opposite direction, he realizes, he can fast forward and instantly become a homo. Conversely, Will'south male parent, Charles, is feeling his own fifty-four years, but these feelings are nothing a couple of turns backward on the carousel couldn't cure. However, Jim and Charles chop-chop learn that riding the carousel comes at a considerable toll: doing so means that they will become part of Mr. Dark'southward side testify, and their new physical age volition be at odds with their actual life feel. With the juxtaposition of former and young in Something Wicked This Style Comes, and the sinister carousel that stands betwixt the two, Bradbury ultimately warns against rushing into adulthood or looking wistfully back upon childhood. Instead, Bradbury argues the value of embracing historic period and the boring, cumulative nature of experience.

Jim and Charles represent the desire to grow up and turn back the clock, respectively. When Jim and Volition walk home from the library, Jim wants to linger near a house at the corner of Hickory and Master, where, over the summer, the boys witnessed a couple having sex. Volition is embarrassed and doesn't understand what the couple was doing exactly, but Jim longs to again take hold of them in the human activity. "Only ane last time," Jim begs Will. "Yous know it won't be the last!" Will responds, suggesting that Jim frequently lingers near the business firm, hoping to grab a glimpse of the forbidden developed human action, which underscores Jim'southward eagerness to grow upward. Charles besides resents his age, but dissimilar Jim, Charles wishes he could again be a swain. As Will eavesdrops on his parents' chat, he hears his father's cleaved voice. "Will…makes me feel and so quondam…a homo should play baseball game with his son…" Charles longs to be a bigger role of his young son'due south life, but feels that his advance historic period prohibits this. Furthermore, it is non only Will's age that makes Charles feel one-time. Will'south mother is as well 10 years younger than Charles. "And you. Who's your daughter? people say," Charles complains to her. Because Charles'south wife is so much younger, people assume that she must be his daughter. Each of these examples emphasize Charles and Jim's desire to respectively rewind or fast-frontward fourth dimension.

While Cooger and Dark'due south carousel can magically make Jim and Charles their desired ages, this instant gratification is non all it's cracked upward to be. As Mr. Cooger steps on the carousel to return to his true age, Will and Jim accidentally knock the controls of the ride and send Mr. Cooger flying forrard many, many times. By the time the carousel strops, Mr. Cooger has aged over a hundred years and is a frail old homo. He later turns to dust and blows away after the side prove freaks drib him en route to the carousel. Furthermore, after Miss Foley, Jim and Volition's fifty-year-old teacher, rides the carousel, it is unsaid that she is transformed into a frightened niggling daughter. Miss Foley is now young, simply she can't possibly go back to her life—no one would ever believe her outrageous story. By riding the carousel, Miss Foley sacrifices her autonomy and her ability to care for herself, despite her fifty years of wisdom and experience. Miss Foley now belongs to Cooger and Dark'south Pandemonium Shadow Show, and her future is uncertain. As Jim struggles with the temptation of riding the carousel, Charles warns him, "Irresolute size doesn't change the encephalon. If I made you lot twenty-five tomorrow, Jim, your thoughts would still be male child thoughts, and it'd evidence! Or if they turned me into a male child of ten this instant, my brain would however exist fifty and that boy would deed funnier and older and weirder than any boy e'er." Hither, Bradbury argues the value of experience, which cannot be gained (or lost) simply by jumping on a magical carousel. These examples highlight the toll of admission for riding Cooger and Dark's carousel, and Jim and Charles must be prepared to pay dearly for their desired age. In this way, Bradbury implies that neither Charles nor Jim will ever exist happy until they accept the circumstances of their age.

For Charles to successfully make it out of the carnival, destroy Mr. Dark, and relieve Jim, he must showtime accept his age and the inevitable mortality that information technology implies. Bradbury writes, "All considering [Charles] accepted everything at last, accustomed the carnival, the hills across, the people in the hills, Jim, Will, and higher up all himself and all of life," he is finally able to live happily, costless from the resentment of his age. Jim must likewise find acceptance in the fact that he tin't rush into adulthood, and this credence is unsaid as Will, Jim, and Charles run side-by-side abroad from the carnival grounds laughing happily at the cease of the novel. Ultimately, Something Wicked This Way Comes warns against the dangers of wishing away time or excessively mourning its loss, and Charles and Jim are not truly happy until they accept this reality.

Age, Time, and Acceptance ThemeTracker

The ThemeTracker below shows where, and to what caste, the theme of Age, Fourth dimension, and Acceptance appears in each chapter of Something Wicked This Mode Comes. Click or tap on any chapter to read its Summary & Analysis.

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Age, Time, and Acceptance Quotes in Something Wicked This Mode Comes

Below you will notice the important quotes in Something Wicked This Way Comes related to the theme of Age, Time, and Acceptance.

And that was the October week when they grew up overnight, and were never so immature anymore…

Page Number: two

Caption and Analysis:

Dad winked at Will. Will winked back. They stood now, a male child with corn-colored pilus and a man with moon-white hair, a boy with a summer-apple, a human with a winter-apple tree face. Dad, Dad, idea Will, why, why, he looks…similar me in a smashed mirror!

Page Number: thirteen

Explanation and Analysis:

And Volition? Why he's the final peach, high on a summer tree. Some boys walk by and you cry, seeing them. They feel proficient, they look good, they are good. Oh, they're non above peeing off a bridge, or stealing an occasional dime-store pencil sharpener; it'due south not that. It's just, you know, seeing them pass, that's how they'll be all their life; they'll get hit, hurt, cutting, bruised, and e'er wonder why, why does it happen? How can information technology happen to them?

Folio Number: 16-7

Explanation and Analysis:

But Jim, now, he sees it happen, he watches for it happening, he sees it outset, and he sees it finish, he licks the wounds he expected, and never asks why; he knows. He always knew. Someone knew earlier him, a long time agone, someone who had wolves for pets and lions for night conversants. Hell, Jim doesn't know with his listen. But his trunk knows. And while Volition's putting a bandage on his latest scratch, Jim'southward ducking, weaving, bouncing away from the knockout blow which must inevitably come.

Page Number: 17

Caption and Analysis:

For, he thought, information technology's a special hour. Women never wake then, do they? They slumber the sleep of babes and children. But men in middle age? They know that hour well. Oh God, midnight'due south groovy, you wake and get back to sleep, one or two's non bad, you lot toss but sleep again. Five or six in the morning, in that location's hope, for dawn's just under the horizon. Only iii, now, Christ, three A.M.! Doctors say the torso'south at low tide then. The soul is out. The blood moves slow. Yous're the nearest to dead you'll ever be salvage dying. Sleep is a patch of death, but three in the morn, total wide-eyed staring, is living decease!

Page Number: 55-6

Explanation and Assay:

His wife smiled in her sleep.

Why?

She's immortal. She has a son.

Your son, as well!

Just what father always really believes it? He carries no burden, he feels no pain. What human, like adult female, lies down in darkness and gets up with child? The gentle, smiling ones own the good secret. Oh, what strange wonderful clocks women are. They nest in Time. They make the mankind that holds fast and binds eternity. They live inside the gift, know ability, accept, and demand non mention it. Why speak of Time when you are Time, and shape the universal moments, as they pass, into warmth and action? How men green-eyed and often hate these warm clocks, these wives, who they know will live forever.

Folio Number: 56

Explanation and Analysis:

Volition grabbed Jim'south shirt front, felt his heart bang nether the breast bones. "Jim—"

"Permit go." Jim was terribly repose. "If he knows yous're here, he won't come up out. Willy, if you lot don't let become, I'll remember when—"

"When what!"

"When I'chiliad older, darn it, older!"

Folio Number: 91

Explanation and Analysis:

Will saw the evil boy, a yr older still, glide around into the night. Five or half dozen more times effectually and he'd be bigger than the two of them!

"Jim, he'll impale u.s.a.!"

"Not me, no!"

Will felt a sting of electricity. He yelled, pulled back, striking the switch handle. The control box spat. Lightning jumped to the sky, Jim and Will, flung by the blast, lay watching the merry-go-round run wild.

Page Number: 95

Explanation and Assay:

Miss Foley had first noticed, some years ago, that her house was crowded with bright shadows of herself. All-time, so, to ignore the cold sheets of December ice in the hall, above the bureaus, in the bath. Best skate the sparse ice, lightly. Paused, the weight of your attention might cleft the shell. Plunged through the crust, you might drown in depths so cold, so remote, that all the Past lay carved in tombstone marbles there. Ice water would syringe your veins. Transfixed at the mirror still, you would stand forever, unable to lift your gaze from the proofs of Fourth dimension.

Page Number: 113

Caption and Analysis:

"Oh, Jim, Jim, you practice run into, don't you? Everything in its fourth dimension, like the preacher said only terminal month, everything 1 by one, not two by two, will you call up?"

Page Number: 118

Explanation and Analysis:

"[…] Now, expect, since when did you call back being good meant being happy?"

"Since ever."

"Since now learn otherwise. Sometimes the man who looks happiest in boondocks, with the biggest grin, is the one carrying the biggest load of sin. There are smiles and smiles; larn to tell the dark variety from the light. The seal-barker, the laugh-shouter, half the time he'south covering upwards. He'southward had his fun and he'due south guilty. And men practise dear sin, Will, oh how they dear it, never doubt, in all shapes, sizes, colors, and smells. […]"

Page Number: 124-five

Explanation and Analysis:

"Oh, it would be lovely if you could just be fine, human action fine, non think of it all the time. Just it's hard, right? With the last piece of lemon cake waiting in the icebox, heart of the night, non yours, but you prevarication awake in a hot sweat for it, eh? Do I need tell you? Or, a hot spring solar day, noon, and there you are chained to your school desk and away off there goes the river, cool and fresh over the rock-fall. Boys can hear articulate water like that miles away. Then, infinitesimal by minutes, hour by hour, a lifetime, it never ends, never stops, yous got the selection this 2nd, now this next, and the adjacent afterward that, exist skilful, be bad, that'due south what the clock ticks, that'southward what it says in the ticks."

Folio Number: 125

Explanation and Analysis:

"'For some, autumn comes early, stays late through life where Oct follows September and November touches October so instead of December and Christ'south birth, there is no Bethlehem Star, no rejoicing, but September comes again and quondam Oct so on down the years, with no winter, bound, or revivifying summer. For these beings, fall is the e'er normal flavor, the only atmospheric condition, in that location be no selection beyond. Where do they come up from? The dust. Where practise they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The completeness between the stars. They sift the human storm for souls, eat flesh of reason, fill up tombs with sinners. They frenzy along. In gusts they beetle-scurry, creep, thread, filter, motility, make all moons sullen, and surely deject all clear-run waters. The spider-web hears them, trembles—breaks. Such are the autumn people. Beware of them.'"

Folio Number: 176

Explanation and Assay:

"Then—" Will swallowed— "does that brand the states…summertime people?"

"Not quite." Charles Halloway shook his head. "Oh, yous're nearer summer than me. If I was ever a rare fine summertime person, that's long ago. Near of us are half-and-half. The August noon in us works to stave off the November chills. Nosotros survive by what little Fourth of July wits nosotros've stashed away. Just there are times when nosotros're all autumn people."

Page Number: 176-7

Explanation and Analysis:

"Is…is information technology…Death?"

"The carnival?" The onetime man lit his piping, blew smoke, seriously studied the patterns. "No. But I think it uses Death as a threat. Death doesn't be. It never did, it never volition. Merely we've drawn so many pictures of it, and so many years, trying to pivot it down, comprehend it, we've got to thinking of it as an entity, strangely alive and greedy. All it is, even so, is a stopped watch, a loss, an cease, a darkness. Nothing. And the carnival wisely knows nosotros're more agape of Zip than we are of Something. You lot can fight Something. Simply…Nothing? Where do you hit it? Has it a heart, soul, butt-behind, brain? No, no. So the funfair but shakes a great croupier's cupful of Zip at us, and reaps us every bit nosotros tumble dorsum head-over-heels in fright."

Page Number: 186-7

Caption and Analysis:

"Why, that if you're a miserable sinner in one shape, you're a miserable sinner in another. Irresolute size doesn't change the brain. If I made you lot 20-5 tomorrow, Jim, your thoughts would nonetheless be boy thoughts and it'd testify! Or if they turned me into a boy of ten this instant, my brain would even so exist fifty and that boy would human action funnier and older and weirder than any boy ever. And so, too, time'south out of articulation another way."

Page Number: 187

Caption and Assay:

"And so, what happens? You become your reward: madness. Change of body, modify of personal environment, for one thing. Guilt, for some other, guilt at leaving your wife, husband, friends to die the style all men dice—Lord, that alone would give a man fits. And then more fear, more desperation for the funfair to breakfast on. So with the green vapors coming off your stricken censor you say you want to go back the fashion yous were! The carnival nods and listens. Yes, they hope, if you carry as they say, in a brusk while they'll give you back your twoscore and ten or whatever. On the promise alone of being returned to normal erstwhile historic period, that train travels with the world, its side testify populated with madmen waiting to exist released from bondage, concurrently servicing the funfair, giving it coke for its ovens."

Page Number: 188

Explanation and Assay:

And then, at last, he gave the maze, the mirrors, and all Time ahead, Across, Around, To a higher place, Behind, Beneath or squandered inside himself, the merely respond possible.

He opened his rima oris very wide, and permit the loudest sound of all complimentary.

The Witch, if she were alive, would take known that sound, and died once more.

Page Number: 233

Explanation and Analysis:

"Possibly this isn't necessary," said Charles Halloway. "Possibly information technology wouldn't run anyway, without the freaks to give it ability. Just—" He hit the box a final time and threw down the wrench.

"It's late. Must be midnight straight up."

Obediently, the City Hall clock, the Baptist church clock, the Methodist, the Episcopalian, the Catholic church, all the clocks, struck twelve. The wind was seeded with Time.

Page Number: 261

Explanation and Assay:

The father hesitated only a moment. He felt the vague pain in his chest. If I run, he thought, what volition happen? Is Death important? No. Everything that happens before Death is what counts. And we've washed fine this evening. Even Expiry can't spoil it. So, there went the boys…and why not…follow?

Folio Number: 262

Explanation and Analysis:

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Source: https://www.litcharts.com/lit/something-wicked-this-way-comes/themes/age-time-and-acceptance

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